Have you ever wondered how we get the protective backing on the acrylic prints?

Nevada Art Printers
Have you ever wondered how we get the protective backing on the acrylic prints? 

We really love these lumachrome prints of hummingbirds that Kathleen Elam does.

We really love these lumachrome prints of hummingbirds that Kathleen Elam does. They are just incredibly life like!

Nevada Art Printers Published by Chelsea Stark Page Liked · December 8,2016 · On Lumachrome HD's profile · Remove On Nevada Art Printers'sprofile · Remove Here is the masterpiece for today. It is a 60x90Lumachrome print for a new gallery in Minnesota. This image is titledPacifica by John Knopf.

Here's Frankie polishing up a 60x90 Lumachrome print masterpiece of John Knopf's. This piece will be displayed in John's Minnesota gallery.  The attention to detail is very important to us at Nevada Art Printers. As you can see by this photo.

Here is the masterpiece for today. It is a 60x90 Lumachrome printtitled Bamboo forest by John Knopf.

Nevada Art Printers

Published by Chelsea Stark

Like This Page · December 2, 2016 · 

Here is the masterpiece for today. It is a 60x90 #Lumachrome print for a new gallery in Minnesota. This image is titled Bamboo forest by John Knopf.

One of our clients, Renato Franco Caravaggio JR, is displaying his wonderful Lumachrome prints at the Spectrum Miami show.

One of our clients, Renato Franco Caravaggio JR, is displaying his wonderful Lumachrome prints

at the Spectrum Miami show. Here is a few shots of Renato with his wonderful pieces. If you're there you should stop on by and take a look.

Knopf Fine Art Photography Gallery. This is just one of the many prints for the new MinnesotaGallery opening in December!

John Knopf It's one thing when you take a photo and see it through the camera lens but it's a whole other feeling when it's blown up this big. 

This is just one of the many prints for the new Minnesota Gallery opening in December!

You've got to see this 90 x 1 20 Lumachrome quad by Craig Primas.

This 90 x 1 20 Lumachrome quad it is such a show stopper. by Craig Primas

Here's a shot of one of Robert Park's images getting ready to go out for a gallery showing.

We don't post them as often as we should so here's a shot of one of Robert Park's images getting ready to go out for a gallery showing.

Here is a beautiful slot canyon Lumachrome print of Alexander Vershinins.

Here is a beautiful slot canyon Lumachrome print of Alexander Vershinins. This one is in a Roma frame with linen liner. This is another fantastic Image by our Russian friend who keeps knocking them out of the park!

Nevada Art Printers: You should see this awesome framed Lumachromeprint...

Nevada Art Printers: You should see this awesome framed Lumachromeprint...: You should see this awesome framed Lumachrome print of  Aaron Reed s from  Iceland. This abstract would be a great addition to anyone's art collection.

Nevada Art Printers: Some of the Silver State’s most spectacular landscapes went on display Monday on Capitol Hill

Nevada Art Printers: Some of the Silver State’s most spectacular landscapes went on display Monday on Capitol Hill, as a week-long photo exhibit called “Home Means Nevada” debuted in the rotunda of the Senate Russell Building.:The clouds mirror the colored rocks at Red Rock Canyon National Conservation Area in this photo by Robert B Park from the "Home Means Nevada" exhibit now on display at the Senate Russell Building on Capitol Hill. (Courtesy of National Parks Conservation Association)

To see this video go to https://shar.es/1xJbbU

Nevada Art Printers: Here is a shot of Chelsea polishing up two more aw...

Nevada Art Printers: :   Here is a shot of Chelsea polishing up two more awesome Lumachrome prints of Aaron Reed's.

Here is a photo of Jason Matias hanging out at Nevada Art printers with Robert Park.

Check out this stunning #Lumachrome print of Tyler Smith's

Mark Metternich Photography 70" "Wotan's Crescendo" Artist Proof (1 of 7) is going out to a lucky customer tonight

 Mark Metternich Photography  70" "Wotan's Crescendo" Artist Proof (1 of 7) is going out to a lucky customer tonight!  :)thank you Robert B Park and everyone at Nevada Art Printers! Give them a call: (702) 337-1623 (tell them I sent you for extra care!)

Here are two beautiful framed ‪Lumachrome‬ prints of Aaron Reed

Here is a shot of Chelsea polishing one of Chris Hite's beautiful Lumachrome print.

Here is a short video demonstrating ‪Lumachrome‬.

Here is a short video demonstrating Lumachrome‬. This is what makes Lumachrome so special.

Check out this beautiful Lumachrome print of Klaus Priebe

Check out this beautiful Lumachrome print of Klaus Priebe's. It looks so amazing in person.

We just finished a another beautiful Lumachrome for Alexander Vershinin

We just finished a another beautiful Lumachromefor Alexander Vershinin today. Another fantastic Image by our Russian friend.

Here is a photo of Chelsea showing off a Lumachrome HD print of Eyal Oren

Here is a photo of Chelsea showing off a Lumachrome HD print of Eyal Oren's.

Here is a photo of Daniel and Arlene polishing up a beautiful Lumachrome print of Mark Lilly'

Here is a photo of Daniel and Arlene polishing up a beautiful Lumachrome print of Mark Lilly's.  This makes me want to run threw a field of flowers.

You got to see this awesome Lumachrome print by Joseph Rossbach.

You got to see this awesome. Lumachrome print by Joseph Rossbach. The depth of this image is amazing.

 

Matt Dieterich shows off his Forever Stamp image in stunning Lumachrome HD acrylic printing from Nevada Art Printers.

Matt Dieterich shows off his Forever Stamp image in stunning Lumachrome HD acrylic printing from Nevada Art Printers. This stamp will be released in the coming days so next time you see the stamp you know the story behind the stamp 

Here's a shot of Craig Primas holding up one of his beautiful Lumachrome prints.

Here's a shot of Craig Primas holding up one of his beautiful Lumachrome prints. 

If you're planning to be in Duck Creek Utah this weekend you should stop on by and check out the rest of Craig's amazing pieces.

You should see this 60x96 ‪Lumachrome‬ print by Hugh Liles

You should see this 60x96 ‪Lumachrome‬ print by Hugh Liles Image titled "Feather of Maat".

Here is Daniel finishing up a Robert B Park limited edition 40x53 Lumachrome print.

Here is Daniel finishing up a  Robert B Park limited edition 40x53 Lumachrome of "Aligned" that is about to be on its way to a collector in CA. This is the Scripps Pier in La Jolla on a special day in May when the sunset is perfectly aligned with the tunnel view. This happens in the spring months once a year, the excitement of the moment is overwhelming! 

Check out this wonderful review by Heather Firth.

ECSTACY FULFILLED for EARTH EROTICA!

I am thrilled to find my new Master Printmaker Robert B Park, owner and talented fine art photographer of Nevada Art Printers. His own art is exquisite. Robert's proprietary LUMACHROMEHD for fine art nature prints is breathtaking; beats Fuji Flex hands down.
Robert and his wonderful staff printed "Entrada,"Earth Erotica EE019 for Sin City Gallery show and 12" of Sin IMMERSIVE Event Saturday, April 9th.
Thank you Randy of Randall's Art & Framing, Inc. for the introduction. I am soooo happy!
For more PRAISE on Robert's LUMACHROME prints, read photographer Mark Metternich's posts ... Cool to the max stuff!

Nevada Art Printers: Nevada Art Printers Tips and Hints Part 1

Nevada Art Printers: Nevada Art Printers Tips and Hints Part 1:

Getting The Most From Your Print Files Part 1 I profiled my display. Why don't my prints match my display? HINT: ITS YOUR "LIGHTROOM" Welcome to the first part of our series on how the get the most out of our extraordinary prints beginning with the problems we see most often.  We hear this all the time from our clients with dismay. You have profiled your display with the newest state of the art calibrator yet your prints come out too dark or light. The problem has to be the printer right? I have profiled my display so it can't be me. Well read on to see the scoop as to why. Your EDITING ENVIRONMENT is a critical component to your process that does not get nearly enough attention. Back in the days of the darkroom everyone knew that you had to have a controlled room with either a safe-light or complete darkness to allow only the enlarger lamp to expose your papers. I have to give Adobe credit for coining their term of "Lightroom" as it embodies the modern digital editing workflow and really is the key concept of a repeatable editing workflow however we are not talking about the program it's the work space concept we have in mind. A properly setup editing space is easily as important as the quality of the display you choose or the power level of your PC. We have improperly come to believe that we can simply fix anything in post however a grossly & improperly edited file done in a poor environment can be disastrous to get to print well. YOUR EDITING ENVIRONMENT NEEDS TO DO THESE THINGS: ELIMINATE COLOR SHIFTS  -  GIVE A PROOFING AREA   -  ELIMINATE TUNNEL VISION •ANY COLOR IN YOUR "LIGHTROOM" WILL CAUSE A BIAS• Regardless of how much you think your monitors neutral wallpaper color is you WILL be influenced by the colors in your editing environment. A neutral grey or white work surface and rear walls will always improve the neutrality of your image edits. Mistake #1 and Mistake #2  are prime examples of poorly setup color biased "Lightrooms". •YOU NEED A PROPER PRINT VIEWING AREA•  This one simple misunderstood aspect IS THE KEY to getting prints that match your display. Your print viewing area needs to accomplish 2 things:   • Give a color corrected light and place to view proofs.   • A monitor with its luminance adjusted to properly match the paper white brightness for print matching. If your monitor white is brighter than your properly illuminated reference paper white then your prints will never be as bright as your display. Go back and set you calibrator luminance to match your environment. • YOU NEED AN EVEN  ROOM LIGHT SOURCE TO ELIMINATE TUNNEL VISION•  Having a consistent level of light at all times is critical to successful editing. If you have windows that get light at one time of day and not at others it will lead to perceptual edits made in vain as you battle the changing light levels in your room. Many people choose to combat this and edit at night with a dimly lit room however this leads to tunnel vision and a loss of perceptual values as you loose your frame of reference for natural illumination and values as in the sample mistakes. The bottom line is that unless you have a controlled reference AND a monitor luminance that matches printed output brightness you will  NEVER GET MATCHING PRINTS, only workarounds.

Common Mistake #1 Common Mistake #2 Can You Guess Why? Why Is This Space Not Good Enough For You. Can You Guess Why?

AN IDEAL ENVIRONMENT The "lightroom" shown at the right is an example of an ideal editing environment. With a little studying and understanding of the key elements outlined above you can make great strides to improving your work-space and your print consistency. We have used all of the currently available calibrators and recommend above all the X-Rite i1Display Pro as the most accurate, trouble free and consistent results across wide gamut displays.

Nevada Art Printers: Nevada Art Printers Tips and Hints Part 1

Nevada Art Printers: Nevada Art Printers Tips and Hints Part 1:

Getting The Most From Your Print Files Part 1 I profiled my display. Why don't my prints match my display? HINT: ITS YOUR "LIGHTROOM" Welcome to the first part of our series on how the get the most out of our extraordinary prints beginning with the problems we see most often.  We hear this all the time from our clients with dismay. You have profiled your display with the newest state of the art calibrator yet your prints come out too dark or light. The problem has to be the printer right? I have profiled my display so it can't be me. Well read on to see the scoop as to why. Your EDITING ENVIRONMENT is a critical component to your process that does not get nearly enough attention. Back in the days of the darkroom everyone knew that you had to have a controlled room with either a safe-light or complete darkness to allow only the enlarger lamp to expose your papers. I have to give Adobe credit for coining their term of "Lightroom" as it embodies the modern digital editing workflow and really is the key concept of a repeatable editing workflow however we are not talking about the program it's the work space concept we have in mind. A properly setup editing space is easily as important as the quality of the display you choose or the power level of your PC. We have improperly come to believe that we can simply fix anything in post however a grossly & improperly edited file done in a poor environment can be disastrous to get to print well. YOUR EDITING ENVIRONMENT NEEDS TO DO THESE THINGS: ELIMINATE COLOR SHIFTS  -  GIVE A PROOFING AREA   -  ELIMINATE TUNNEL VISION •ANY COLOR IN YOUR "LIGHTROOM" WILL CAUSE A BIAS• Regardless of how much you think your monitors neutral wallpaper color is you WILL be influenced by the colors in your editing environment. A neutral grey or white work surface and rear walls will always improve the neutrality of your image edits. Mistake #1 and Mistake #2  are prime examples of poorly setup color biased "Lightrooms". •YOU NEED A PROPER PRINT VIEWING AREA•  This one simple misunderstood aspect IS THE KEY to getting prints that match your display. Your print viewing area needs to accomplish 2 things:   • Give a color corrected light and place to view proofs.   • A monitor with its luminance adjusted to properly match the paper white brightness for print matching. If your monitor white is brighter than your properly illuminated reference paper white then your prints will never be as bright as your display. Go back and set you calibrator luminance to match your environment. • YOU NEED AN EVEN  ROOM LIGHT SOURCE TO ELIMINATE TUNNEL VISION•  Having a consistent level of light at all times is critical to successful editing. If you have windows that get light at one time of day and not at others it will lead to perceptual edits made in vain as you battle the changing light levels in your room. Many people choose to combat this and edit at night with a dimly lit room however this leads to tunnel vision and a loss of perceptual values as you loose your frame of reference for natural illumination and values as in the sample mistakes. The bottom line is that unless you have a controlled reference AND a monitor luminance that matches printed output brightness you will  NEVER GET MATCHING PRINTS, only workarounds.

Common Mistake #1 Common Mistake #2 Can You Guess Why? Why Is This Space Not Good Enough For You. Can You Guess Why?

AN IDEAL ENVIRONMENT The "lightroom" shown at the right is an example of an ideal editing environment. With a little studying and understanding of the key elements outlined above you can make great strides to improving your work-space and your print consistency. We have used all of the currently available calibrators and recommend above all the X-Rite i1Display Pro  as the most accurate, trouble free and consistent results across wide gamut displays.

This striking piece of art was created by the artist Adam Sachs

This video really shows off the 3-D effect of our Lumachrome process.

Nevada Art Printers Goes To WPPI 2016 Trade Show

We want to thank all our clients that had stop on by our booth at the WPPI 2016 show.  It was a tremendous show and an amazing response to the Lumachrome print process. We look forward to another great year next year.

If you're going to be coming to the #WPPI2016 event. Please stop on by The Nevada Art Printers booth

If you're going to be coming to the #WPPI2016 event. Please stop on by The Nevada Art Printers booth featuring #Lumachrome HD.

 Located at The MGM Grand #LasVegas,NV